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| Lynch on Lynch: Revised Edition (Taschenbuch) von David Lynch, Chris Rodley
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| Rezensionen: | | You know David Lynch as the director of terminally weird movies such asEraserheadBlue Velvet, andWild at Heart, as well as the bizarre and highly influential television seriesTwin Peaks. But did you know that it was Mel Brooks who gave him his first big break? That the idea forBlue Velvetgrew out of a fantasy Lynch had about sneaking into a private room and learning the secret to a murder mystery? ThatTwin Peakscame about because co-creator Mark Frost was obsessed with Marilyn Monroe?
InLynch on Lynch, a 250-page interview book, editor Chris Rodley does a superb job of getting Lynch to talk at length about the high and low points of his life and career. Their conversation covers his early work as a painter through the making of his major films of the 1980s, the fiasco ofDune("It is what it is."), and the recent and very obscureLost Highway("I just *loved* this title.").
Lynch is particularly interesting when he talks about the creative process: "I don't want to give the impression that I sit around thinking up horrible things. I get all kinds of different ideas and feelings. If I'm lucky, they start organizing themselves into a story--then maybe some ideas come along that are too eerie, too violent, or too funny, and they don't fit that story. So you write them down and save them for two or three projects down the road. There's nowhere you can't go in a film--if you think of it, you can go there."Lynch on Lynchis a treat for Lynch fans of all shapes, sizes, and fetishes.-- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
| | | © 1998-2001 Amazon.com, Inc. und Tochtergesellschaften | You know David Lynch as the director of terminally weird movies such asEraserheadBlue Velvet, andWild at Heart, as well as the bizarre and highly influential television seriesTwin Peaks. But did you know that it was Mel Brooks who gave him his first big break? That the idea forBlue Velvetgrew out of a fantasy Lynch had about sneaking into a private room and learning the secret to a murder mystery? ThatTwin Peakscame about because co-creator Mark Frost was obsessed with Marilyn Monroe?
InLynch on Lynch, a 250-page interview book, editor Chris Rodley does a superb job of getting Lynch to talk at length about the high and low points of his life and career. Their conversation covers his early work as a painter through the making of his major films of the 1980s, the fiasco ofDune("It is what it is"), and the recent and very obscureLost Highway("I justlovedthis title").
Lynch is particularly interesting when he talks about the creative process: "I don't want to give the impression that I sit around thinking up horrible things. I get all kinds of different ideas and feelings. If I'm lucky, they start organizing themselves into a story--then maybe some ideas come along that are too eerie, too violent, or too funny, and they don't fit that story. So you write them down and save them for two or three projects down the road. There's nowhere you can't go in a film--if you think of it, you can go there."Lynch on Lynchis a treat for Lynch fans of all shapes, sizes and fetishes.-- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
| | | © 1998-2001 Amazon.com, Inc. und Tochtergesellschaften | |
| | | Alle Rezensionen ansehen... |
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| Siehe auch folgende Artikel: |
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|  | | Catching the Big Fish. Meditation, Consciousness, and Creativity: Meditation, Consciousness and Creativity von David Lynch The Impossible David Lynch (Film and Culture) von Todd McGowan Der Elefantenmensch (25th Anniversary Edition) Wild at Heart (Collector's Edition)
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